Stephanie De Biasi is a multidisciplinary artist based in Perth, Western Australia. She graduated with a Bachelor of Contemporary Art from Edith Cowan University in 2018 and has since exhibited widely across the state. Her work explores domestic commonalities, consumer culture, and environmental issues, using vibrant sculptures and paintings to transform everyday packaging waste into thought-provoking art. De Biasi’s use of discarded materials reflects her concern about the environmental impact of consumerism and her desire to reclaim the overlooked elements of daily life. She also facilitates sculptural workshops within schools and the broader community.In 2022, De Biasi was awarded the Western Australian Sculptor Scholarship for Fossil, a collaborative work exhibited at Sculpture by the Sea, Cottesloe. In 2024, she created Blanket, a large-scale public artwork composed of approximately 9,500 wine lids arranged in a chain-mail pattern, exhibited at Sculpture by the Sea, Cottesloe, and Sculpture on the Scarp. That same year, she presented Shallow Waters, a coral reef-inspired installation made from aluminium lids, at the Castaways Sculpture Awards, and won ‘Best Use of Material’ for Waiting Room II at the Darlington Open Art Exhibition.In 2025, De Biasi won the Laurence Gelmi Prize for Sustainable Sculpture for her work Glow of the Wound, presented at the Sculpture on the Scarp exhibition in Darlington, Western Australia.